Voice Matters: Does Yours Fit Your Genre? by Ashley March

Hello, all! It's genre Monday and today I have the lovely and talented Ashley March, historical romance author extraordinaire, to talk with us about the ever-important voice.

Take it away, Ashley...

Voice Matters by Ashley March

I recently decided to try to write my first contemporary romance. I had great characters, a great storyline, and I figured it would be as easy to write as my usual Victorian romances. However, I realized very quickly that I had a big problem I never expected: I couldn’t find my contemporary romance voice.

We’ve all heard that each author has their own voice, but I believe that each author also has their own genre/sub-genre voice. Authors who write both romance and YA aren’t going to have the same voice, and the same is true for authors who write both historical and contemporary romance. As I struggled with finding my voice for contemporary romance, I realized that this is something I don’t often hear writers talking about. But the truth is this: voice matters not only as a means of making you stand out from among the crowd, but also as a means of putting you in the right crowd.

I’m a writer who believes in giving back to other writers and the writing community, and one of the ways I do this is by sometimes critiquing partials or fulls of pre-published writers. Often one of the comments that I have to make time and time again is that the writer’s voice sounds anachronistic. They’re using words that wouldn’t have been used in a certain period, or sometimes, even if those words were used, the phrasing simply sounds modern. As someone who pays a lot of attention to words—not only which words are chosen, but the rhythm of words, or how they sound when read—I know there’s a difference that can be seen in the voice of historical romance authors versus the voice of other romance sub-genres, and this difference is important. Not only can the right voice for a genre/sub-genre help the story feel more authentic, it can also help draw your reader more quickly into your story.

I thought this point would best be made through examples.

Here is a contemporary excerpt  (from Teresa Medeiros’ GOODNIGHT, TWEETHEART):

According to the page that popped up, Abby was now Abby_Donovan and she already had seventeen Followers. Having "Followers" made her feel like some sort of kooky religious cult leader. An empty box invited her to answer one simple question—"What's happening?"

Her fingers hovered over the keys, torn between typing, "None of your business" and "I'm sipping Cristal on the beach at St. Tropez with Brad Pitt."

Sighing, she finally settled on the truth: "I'm feeling sorry for myself." She hit the Update button and waited.

Here is a historical excerpt (from Teresa Medeiros’ THE DEVIL WEARS PLAID):

For the first time since he'd muscled his way into the abbey, the stranger's mocking gaze flicked toward her. Even that brief glance was enough to bring a flush stinging to Emma's fair cheeks. Especially since his words held the undeniable and damning ring of truth.

This time it was almost a relief when Ian Hepburn once again sought to impose himself between them. "You may mock us and pretend to be avenging your ancestors as you always do," he said, a sneer curling his upper lip, "but everyone on this mountain knows that the Sinclairs have never been anything more than common cutthroats and thieves. If you and your ruffians have come to divest my uncle's guests of their jewels and purses, then why don't you bloody well get on with it and stop wasting your breath and our time?"

*** 

            I specifically chose one author who writes different sub-genres because I don’t believe showing excerpts from two authors writing different sub-genres would be fair for our analysis. We need a real-world example of how an author uses voice to draw a reader into the specific genre/sub-genre she’s writing.

            As you can see above, Teresa Medeiros’ contemporary voice is far different from her historical voice. If I were going to describe her contemporary voice, I would call it light-hearted in comparison to her historical voice. The change can be seen in the way the sentences are structured as well as the words chosen and, I would also say, the way the author engages the reader. The contemporary makes me feel as if the heroine could be my best friend, while the historical invites me to be the heroine that could make such a hero fall deeply in love. One is light and flirtatious; the other denser and more dramatic. If we were comparing movies, I would say that it’s the difference between You’ve Got Mail and Jane Eyre. This doesn’t mean that all contemporaries are light—because they’re not—and it doesn’t mean that all historicals are comparatively darker—because they’re not.

            What it does mean, however, is that writing a historical isn’t as simple as researching a certain place during a certain time and writing the story that goes along with it. You must find your historical voice, and you must know your readers’ expectations for what a historical voice sounds like.

            The following are recommendations for several historical romance authors with very strong voices. You’re not supposed to try to model your voice after theirs, but you should read them. Analyze what is different about their voices and what is the same. Reading in your genre/sub-genre is always important to know your market, but with the historical romance sub-genre in particular, part of the escape into the historical world is having a historical voice. If you want to write historical romance, I would say that developing a historical voice is equally as important as doing research in terms of bringing a feeling of authenticity to your writing. Don’t be fooled into thinking you don’t need one.

Recommendations for historical authors with strong voices:

Sherry Thomas (tryPrivate Arrangements or Not Quite a Husband)

Julie Anne Long (try What I Did for a Duke or The Perils of Pleasure)

Anne Mallory (try Three Nights of Sin or Seven Secrets of Seduction)

Lisa Kleypas (try Dreaming of You or Devil in Winter)

Meredith Duran (try Wicked Becomes You or A Lady’s Lesson in Scandal)

Julia Quinn (try The Duke and I or Romancing Mr. Bridgerton)

This month’s must-read recommendation for both strong voice and for being a nearly perfect historical romance is Joanna Bourne’s

THE FORBIDDEN ROSE

A glittering French aristocrat is on the run, disguised as a British governess. England's top spy has a score to settle with her family. But as they're drawn inexorably into the intrigue and madness of Revolutionary Paris, they gamble on a love to which neither of them will admit.

How important is voice to you as a reader and as a writer? If you’ve written in different genres/sub-genres, what tips and tricks do you use for changing your voice appropriately?

Ashley March is a baby-induced sleep-deprived romance author who lives in Colorado with her husband and two young daughters. Her newest Victorian historical romance, ROMANCING THE COUNTESS, is a love story about an earl and his best friend’s wife who are drawn together after their spouses—who were having an affair—die in a carriage accident. Her approach to the romance genre and the books she writes can be seen in the tagline on her website:

Choose love. Hope in love. Believe in love

www.ashleymarch.com

And Ashley has a new book out this month--

Romancing the Countess (Signet Eclipse)

! Go let her know how thankful we are for her sharing her insight with us by buying her super fabulous books!

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“...a sexy, sizzling tale that is sure to have readers begging for more!"

–Jo Davis, author of I SPY A DARK OBSESSION

Author Voice vs. Character Voice - Finding Both

Photo by Stefan Powell

Voice is one of the most sited components of writing a great story. Publishers/agents are looking for a strong voice, a fresh voice, a clear voice, etc. Unfortunately, it's also one of the things that we as writers struggle with and stress about the most.

I think the first thing that confused me early on was the difference between author voice and character voice. At first, I thought they were the same thing. They're not.

Author voice "encompasses word choice, rhythm, pacing, style, tone and structure." (source)

Character voice also affects word choice, rhythm, and pacing. But in character voice those things are influenced by the character's background, gender, history, age, education, regional location, time period, etc.

Crystal clear, right? *snort*

Finding Author Voice

Okay, maybe this will help, because it definitely helped me. I attended a workshop once where the author explained author voice by saying that you could pick up any one of her books no matter what the subject/character/plot and know that she wrote it.  

For instance, I've read Richelle Mead's Succubus Blues. I'm a huge fan of her YA Vampire Academy books, but this was the first time I read any of her adult books.  The story and characters are completely different, but the quirky sense of humor and style are still there.  I could tell they were both written by the same author, so I'm "hearing" her author voice.

Think of an Aerosmith song or a U2 or a Nirvana. Even without the lead singer's voice to give it away, the songs all have a certain style, a particular way the instruments are played. Do all the songs sound the same? No. But they all have that band's "voice".

And you have one, too!  We all do.  Your voice is who you are. You just have to make sure it gets onto the page.

My author voice is wry and casual. My style matches that--I use deep POV, like using some incomplete sentences for impact, and have a lot of dialogue.  And though I tackle very heavy and dark topics at times in my stories, humor will always be present.   

Why? Because that's who I am. Humor is my go-to defense mechanism even when things aren't going so well. Sarcasm is my favorite pastime and self-depracation is a way of life for me. I can't escape my voice.

So there's good news in that! Voice just is. (Read your own blog, you'll probably see your voice shining through. Or if you want a great example of a unique blogging voice, go visit Chuck Wendig's blog.) We can hone it and analyze it and strengthen it but our author voice is already there. It's who we are. 

The only thing that gets in the way is when we try to imitate some other author's voice. "I want to write books just like..." It's good to study other people's writings and pick out what you enjoy about it, but be careful not to let what you "think" your voice should be overtake what it actually is.  You can never be such and such author, you can only be you.

Finding Character Voice

So, if author voice is just waiting there to be discovered, what we probably need to worry about more is making sure we have an accurate character voice for each of our players. 

To do this, we need to analyze our characters, get into their head, know their history. As one of my handy dandy critiquers pointed out a while back about one of my characters: she's from the south, she wouldn't say "you guys", she would say "y'all". Of course, I know this (being southern and a over-user of y'all) but I lost her voice for a minute trying to sound more proper. These are the small nuances we have to watch out for. If our characters don't sound believable, we'll lose the reader. The character's education, gender, situation all play a factor. 

Well, that's my take on the whole thing, but I'd like to hear your opinions.

How would your describe your author voice?  Do you struggle to nail it down or is it one of those things that comes naturally?  Which authors voices do you totally envy?

*This is a revamped version of a post from Sept. 2009.  Thanks to Sierra Godfrey's post today for sparking the idea to pull this one out of the vault.*

Voice, Voice, Voice

Voice.  Yes, I know it's a popular topic and I've talked about it before, but it also seems like one of the hardest things to get our minds around.

Wanting to find a strong/fresh/interesting voice seems to be the A-number-one commonality among agents and editors. It was mentioned at every agent/editor panel I attended at RWA.  However, it also seems to be one of the most elusive things to define.  Even the pros seem to struggle with pinning down a definition when asked--it's one of those things they just know when they read it.

Which, of course, makes us panic because we want everything in our manuscript to be perfect--and dammit, we want to make sure we've nailed voice, too.  But, I'm here to tell you--you already know what a good voice is. Think of any of your favorite authors.  If that author were to write a new book and someone were to give it to you without the author's name on it--would you be able to recognize who had written it?

Yes?  That's voice.  It's how the author tells the story, the word choices, turns of phrase, the humor, the writing style.  It's the personality of the writing.  So, look and see, does your story show that personality?  And is it a personality that will appeal to people?

Voice is the difference between saying:

I can't answer the phone right now, please leave a message.  

and

"I know how devastated you are to miss me, but leave a message, and I'll try to ease your agony." --Adrian from Richelle Mead's Vampire Academy series. 

Yes, some of that is character voice (I talked about the difference here), but it's also Richelle Mead's snarky, fun style.

So the key is figuring out what your voice is and making sure it makes it onto the page.  And don't force a voice that isn't yours.  Brenda Chin, the senior editor at Harlequin Blaze, said on a panel that voice can't really be changed--it's too tied to who the author is--but that it can be honed.  And as with most things with writing, the only way to hone it, is to continue to write, write, write.  Your voice will show itself in time.

So do you struggle to find your voice?  How would you define your own voice?  Which author's voice do you admire?

Author Voice vs. Character Voice*

Photo by Ernest Duffoo

Voice is one of the most sited components of writing a great story. Publishers/agents are looking for a strong voice, a fresh voice, a clear voice, etc. Unfortunately, it's also one of the things that we as writers struggle with and stress about the most.

I think the first thing that confused me early on was the difference between author voice and character voice. At first, I thought they were the same thing. They're not.

 

Author voice "encompasses word choice, rhythm, pacing, style, tone and structure." (source)

Character voice also affects word choice, rhythm, and pacing. But in character voice those things are influenced by the character's background, history, age, education, regional location, time period, etc.

Crystal clear, right? *snort*

Okay, maybe this will help, because it definitely helped me. I attended a workshop once where the author explained author voice by saying that you could pick up any one of her books no matter what the subject/character/plot and know that she wrote it.  

For instance, I've been reading Richelle Mead's Succubus Blues.  I'm a huge fan of her YA Vampire Academy books (in fact, I all about did a dance when Spirit Bound arrived on my doorstep this week), but this was the first time I was reading any of her adult books.  The story and characters are completely different, but the quirky sense of humor and style are still there.  I could tell they were both written by the same author, so I'm "hearing" her author voice.

And you have one, too!  We all do.  You just have to make sure it gets onto the page.

My author voice is snarky and casual. My style matches that--I use deep POV, like using the occasional incomplete sentences for impact, and have a lot of dialogue.  My books will never be filled with lyrical prose and elegant descriptions.  And though I tackle heavy topics at times in my stories, humor will always be present.  

Why? Because that's who I am. I don't take life very seriously. Sarcasm is my favorite pastime and self-depracation is a way of life for me. I can't escape my voice.

So there's good news in that! Voice just is. (Read your own blog, you'll probably see your voice shining through.) We can hone it and analyze it and strengthen it but our author voice is already there. It's who we are. 

The only thing that gets in the way is when we try to imitate some other author's voice. "I want to write books just like..." It's good to study other people's writings and pick out what you enjoy about it, but be careful not to let what you "think" your voice should be overtake what it actually is.  You can never be such and such author, you can only be you.

So, if author voice is just waiting there to be discovered, what we probably need to worry about more is making sure we have an accurate character voice for each of our players. 

To do this, we need to analyze our characters, get into their head, know their history. As one of my handy dandy critiquers recently pointed out about one of my characters: she's from the south, she wouldn't say "you guys", she would say "y'all". Of course, I know this (being southern and a over-user of y'all) but I lost her voice for a minute trying to sound more proper. These are the small nuances we have to watch out for. If our characters don't sound believable, we'll lose the reader.

Well, that's my take on the whole thing, but I'd like to hear your opinions.

How would your describe your author voice?  Do you struggle to nail it down or is it one of those things that comes naturally?  Which authors voices do you totally envy?

*This is a revamped version of a post from Sept. 2009.  I decided to rerun it since over the past year "author voice" is the most popular search keyword according to my Google Analytics, so apparently a lot of people have questions about this topic.  Hope you find it helpful!*

 

 

**Today's Theme Song**

"Voices Carry" - Til Tuesday

(player in sidebar--go ahead, take a listen)

It's All About Me: Discovering Author Voice

 Over the weekend I read Allison Brennan's speech about finding your author voice. (Thanks Lynnette for the link to this.) I took a few things away from her speech. One, that she wrote five manuscripts before she sold. And the second was that the key to getting published (in her opinion) was discovering her voice.

Now, we've heard about voice, I've talked about it here. But what I liked about her advice was that she believes our author voice is already in us, we just have to recognize it. After trying out a few different things, she realized that her voice was naturally dark and fit well with suspense. She tried to write a chick-litty mystery and discovered she wasn't so funny on paper.

This got me to thinking (always a dangerous thing) about my own voice. My first book attempt was a dark paranormal YA, or at least that's what I set out for it to be. However, as I wrote it, I found myself with a heavy thread of romance that threatened to take over the story. I also kept slipping in humor and snark at every turn. Not exactly what I was going for, but I couldn't help myself. In addition, it was a fight for me to keep things not too sexy, because it was teens and I knew that wasn't appropriate.

So then I started my contemporary romance. All of a sudden, I didn't have to fight all those natural tendencies. I had free reign to focus on the things that I love writing about. And the book was so much more fun to jump into. It was like slipping into a comfy pair of slippers after trying to wedge my feet into stilettos. I found my voice.

Now I'm not saying that with my voice, I can't write YA or something outside of romance, but I need to probably go for a different type of story than I did with the first one. One that lends itself to my strengths. 

So when you start stressing about voice, look in the mirror. Who are you? Do you tend to see the darker side of things or do you find the humor where others don't? Are you a hopeless romantic or a realist? Are you polite or irreverent? Your voice is already in there, you just have to unearth it.

Don't you ever read a book and think, I could hang out with this author? We know based on how they wrote the story and their characters that we'll probably enjoy their personality. We're hearing their author voice bubble underneath all of it.

So how about you? How would you describe your author (not your character) voice? Have you written a story and realized it didn't fit your natural voice and style? Have you ever read a book and thought, me and this author 

*This post has been revamped from the original.