Fill-Me-In Friday: The Best Writing Links of the Week

 

Hey, everyone! I'm sure you've had a busy week preparing for the holidays, so I've rounded up the best posts I've come across this week. 
On Writing and Publishing:
Should You Join the Indy Revolution? by CJ Lyons via Romance University


For Gits and Shiggles:

 

Can Drinking Help Your Writing? at Slate Magazine  (love that one of the hypotheses is that writers are all a little crazy anyway and more prone to addiction, lol. Like we need anyone to tell us that we're bent.)

Awesome Holiday Videos via Emily Ryan-Davis

What You May Have Missed Here:

 

Creating a Story Bible by Suzanne Johnson
What You May Have Missed on the Author Blog or on My CRASH INTO YOU Blog Tour:

Reid, hero of CRASH INTO YOU, talks about the perfect submissive
PLUS a chance to win my book!
at As the Pages Turn
(And what that has to do with ugly guys in p0rn)
at Kat Latham's Blog
at Anne R. Allen's Blog
That's all I've got. I hope you all have a wonderful and happy holiday! Have fun, be safe, and eat too many cookies!

 

 


“...a sexy, sizzling tale that is sure to have readers begging for more!" –Jo Davis, author of I SPY A DARK OBSESSION

 

 

CRASH INTO YOU is now available for pre-order!

Read an excerpt here.


All content copyright of the author. Please ask permission before re-printing or re-posting. Fair use quotations and links do no require prior consent of the author. ©Roni Loren 2009-2011 |Copyright Statement|

 

Letting Your Character in on the Secret by Ashley March

It's Monday again and time for one of our regular guests--the lovely and insightful Ashley March. Today she's giving us a great idea on how to turn some tropes on their head.


Take it away, Ashley...

Letting Your Character in on the Secret 
by Ashley March

Awhile ago I had the pleasure of reading Julie Anne Long’s most recenthistorical, What I Did For a Duke. I say it was a pleasure because not only amI a huge JAL fan (if you haven’t read her work already, please do so—you’remissing out), but also because this was the first book I ever remember readingwhere as soon as I finished I wanted to start over again.
Butthat’s from a reader’s point-of-view. From a writer’s point-of-view, whatreally struck me about this book is that although it could have been a typicalrevenge plot where the hero gets back at the heroine’s brother by breaking theheroine’s heart, (warning! partial spoiler below)

Ms.Long instead surprised me partway through the book by having the heroinerealize that this was the hero’s intention. I admit it, I was stunned. Here Iwas, sure that the hero would succeed in his plans, make the heroine fall inlove with him (while he falls in love with her, of course), and then at the endwhen she finds out what his true intentions were from the beginning, therewould be drama (!) and angst (!). Yet Ms. Long completely turns thatpredictable plot upside down by having the heroine figure out the hero’sintentions before he could break her heart.

Whatdid this do?
1)     Mostimportantly, I was even more excited to continue reading than I had beenbefore, because now I had no idea what to expect.
2)     Itmade me believe that the heroine was an equal match for the hero, which isn’talways the case with plots like this.
3)     Itmade me even more envious of Ms. Long’s genius.
Italso, however, made me wonder why we writers sometimes choose to take the easyway out. Is it because we’ve read certain tropes before and know that they cansucceed, thus we want to emulate their success for ourselves? Or is it becausewhen we brainstorm ideas, we choose something from the first three options,never daring to explore beyond the predictable?
Icould challenge you to copy from Ms. Long by choosing a common plot device andthen turning its on its head to make it unique—and I’m sure each of us couldfind a way to do that without much effort. (Throw in a rabbit here, a redherring there.)
Butinstead, I’m going to challenge you to dig a bit further. Specifically, whatcharacter(s) can you give knowledge to of an event/person/thing, etc. that iscurrently ignorant of that event/person/thing as the story stands? For you see,giving your character knowledge—whether he chooses to reveal it to anyone elseor not—makes him stronger and smarter in the reader’s eye, and it also makesthe story more complex and fresh.
Thinkof the heroine dressing up as a man and becoming the hero’s best friend. Whatif the hero knows the heroine is pretending, instead of questioning why he’ssuddenly experiencing sexual awareness toward a member of the same sex whenhe’s never done so before? (I have to admit, I like my heroes to be smart,too.)
Thinkof two ex-lovers reunited by circumstance. Instead of them both being attractedto each other still and constantly questioning whether the other person lovesthem, have one of the characters confident of their love being reciprocated.What other reason would they have to keep them at a distance?
Theseare just a couple of examples off the top of my head, and I’m sure you can comeup with better ideas when you look at your specific characters. Figure out whatthey currently don’t know (this could be about anything), then change it so thatthey do know. This can deepen notonly your characters and your story, but also create something that might oneday make your readers stand in awe and rave about your incomparable genius.(Here’s to you, Ms. Long. J )
What other book(s) can you think ofwhere a character’s knowledge turned what could have been a predictable plotinto something astounding?
AshleyMarch is a historical romance author who lives in Colorado with her adoring (oris that adorable?) husband, her two young daughters, and their dog. Her latestbook, ROMANCING THE COUNTESS, was released by NAL Penguin in September 2011,and she is currently psychoanalyzing the characters of her next two projects:the story of Joanna and Ethan, two secondary characters from her Victoriandebut; and the first book in a series set in 1920s Long Island.

 

 



“...a sexy, sizzling tale that is sure to have readers begging for more!"
–Jo Davis, author of I SPY A DARK OBSESSION

 

 

CRASH INTO YOU is now available for pre-order!

Read an excerpt here.


All content copyright of the author. Please ask permission before re-printing or re-posting. Fair use quotations and links do no require prior consent of the author. ©Roni Loren 2009-2011 |Copyright Statement|

 

How Fast Do You Have To Write to Build a Successful Career?

So I've talked before about how I'm a perfectionist. I always have been. I'm the girl who got a grade on my final trigonometry test that would bring down my final average to a B+ instead of an A  and went to my teacher to go problem by problem until we found a place where he took off too many points for a simple mistake. I got my A, kept my perfect 4.0. Yes, I'm that annoying girl.

So when it comes to my writing, this perfection monkey sits solidly on my back squawking and whining as I try to draft my book. It's frustrating and it slows me down. On average it takes me about 6-7 months to write and revise a 90k-100k book. Six months of that is drafting. Six months of drafting.

In previous decades in publishing, expecting an author to write one book a year was pretty standard. And for the most part, it still is if you're writing literary fiction or if you're an already established author. But if you're a new author, the situation is different, especially with the advent of ebooks and self-publishing. Readers are expecting your next work pretty quickly. You don't want them to forget about you (or if you're writing a series, your characters.) You need to stay top of mind.

And if you want to make money, you'll hear it over and over again--backlist is king. To earn a sustainable living as a writer, you need backlist. One book (unless you're part of the Oprah book club or Stephanie Meyer) is not going to set you up for life. One book isn't going to allow you to quit your day job. You want readers to pick up one of your books, love it, and then have a whole slew of other books by you that they can click the "buy" button on.

But the caveat of write, write, write, get a backlist out there is that you also have to make sure you maintain the quality of your work. One horrible book can send your readers running for the hill and for all the other reading choices they have bombarding them from everywhere.

And I know it can be done--writing fast and producing quality books. Maya Banks stated in her Dear Author interview that she writes 8-10 books a year. (!!!) Some of those are novellas but still, my jaw dropped onto my space bar. She also says she usually is done and sends it to her editor when she finishes the first draft.

And I can tell you, I read Maya. Her books are fabulous. She's one of my favorite romance authors. She's also hit the New York Times list and this year, had a book nominated for a RITA (the Oscars of romance writing). So clearly her quality is not suffering. And last year, she said that she made 600k for income. And this year, she's on track to hit 900k. Yes, people, she gave out her numbers. And if you don't read erotic romance, this is not an author many of you have probably even heard of. There is clearly money to be made if you put out quality work in good volume.

Now, I know I will never be able to pen 8-10 books a year. I have a three year old and a husband who would like to see me sometimes. And I'm a new author, so all this getting my name out there and social networking stuff is a time eater. But I KNOW I have got to be able to write more than 1-2 books a year.

So I am going to challenge myself with these next books to write faster and edit less. Here are some of the things I am going to be putting on post-it notes to remind myself courtesy of author Candace Havens, who gives Fast Draft workshops on her online forum.

1. It is okay to write a sh*tty first draft.

I like revising. Why am I so dead set on getting it perfect the first time?

2. I will write a basic synopsis before I start writing.

I'm a pantser so the story will change and I will not outline every point, but to have a general overview will help me. (Plus, I'm going to have to do this if I want to sell on proposal.)

3. I will know the basics about my book before starting--mainly the Goal, Motivation, and Conflict of my main characters.

4. I will not get hung up for five minutes trying to find the perfect word. I'll change it when I revise.

5. I will refuse to believe in writer's block and will keep writing even if I feel like I'm not sure where I'm going.

And though this doesn't have to do with writing faster, I will also learn to write shorter stuff in addition to my full-length novels. I think the successful author of the future is going to know how to write in varying lengths and is going to utilize multiple avenues to get their work out there (traditional publishers, e-pubs, self-publishing, etc.)

So what kind of writer are you? Are you a fast drafter or a slow and steady one like me? How many books do you think you could legitimately write in a year? What do you think the future of publishing is going to look like?

UPDATE: I did a follow up post in response to the discussion in the comments - The Beauty of Books: Why the Literary vs. Genre Debate Isn't Necessary

 

Going Digital with Author Stephanie Haefner

Soap Dreams

Today I'm happy to have the lovely Stephanie Haefner here to talk to us about her experience with digital-first publishing. With all the talk and excitement going on with self-publishing sometimes it's easy to forget that there is another great option that falls somewhere between NY Publishing and self/indie publishing. I'm a big fan of digital-first publishers and have discovered a lot of great new authors that way, especially in the romance genre, so I'm excited to hear what Stephanie has to say about her experiences with an e-publisher.

Take it away Stephanie...


Going Digital!

I'll admit, digital publishing was not my first choice. But once I signed that contract and started the journey to publication, I really felt like I was getting in on something fabulous!

Technology moves so fast and consumers seem to always want what's new and cool and better than what is already out there. And digital book readers were another new gadget to have. Things have changed a lot since I signed my first digital contract, but only for the better! I think people are reading more than ever and partly it's because of digital media. People can read books on their iPhones and other Smartphones. EReaders make it convenient to take a book anywhere. And many libraries are even jumping on board, offering members free downloadable books on their websites!

There is lots to love about digital publishing! Here are my reasons why being published by a primarily digital house is awesome:

     - No need for an agent. Most digital publishers are rather small and accept unagented submissions. (Though my publisher says they are starting to receive a lot of submissions from agented authors.) But this by no means implies that the quality is less. Yeah, they may have to sift through more junk, but they are just as picky. The Editor in Chief fills us in monthly on how many contracts they've offered....which isn't many. The majority are established authors within their house, with only a few newbies. But bottom line, I don't have to share my earnings with anyone!! Well, maybe my hubby! I treat him to a nice dinner every once in a while...it's the least I can do! ;)

     - Prices are great! Digital book prices by primarily digital houses are far lower than print publishers, even those who offer their titles in digital. But that doesn't mean I make less! Oh no! Royalties on digital books are waaaaaay higher than print books! :) I make 40% on every digital copy (net sales). And if my math is correct, 40% of $5.50 is a good amount more than 10% of a paperback that costs $14.95.

     - There is a home for short pieces! Not every story can be written in novel-length. But what do you do with a 30,000 word story? For a newbie, it's nearly impossible to get into a print anthology. And those are far and few between anyway. But digital publishers, they do publish short works. My newest release, Soap Dreams, is the perfect length to read on a smartphone while carpooling to work, waiting at the doctor's office, or while you kid's at practice!

     - Readers who use the Nook and Kindle can buy my books instantly. If they finish one of my books, and love it, they can buy another of my other titles immediately!

And there are some drawbacks too, unfortunately.

     - Primarily digital houses are small and most do not offer an advance on royalties.

     - Books are not on bookstore shelves for people who love to just browse bookstores.

     - You can't really do book signings.

     - Some, but not all, digitally published books are made available for print. My debut was, but there's no guarantee anything else I publish digitally will be.

     - Readers who do not have an eReader are unlikely to buy my book.

A huge thank you to Roni for having me!! All commenters will be entered into a drawing for a digital copy of my newest release, Soap Dreams! And all commenters from every post on my blog tour will be entered in a fabulous grand prize drawing for a signed copy of A Bitch Named Karma and digital copies of both Paradise Cove and Soap Dreams!! Please leave your email address!

Paradise Cove

Paradise Cove is now available at Lyrical Press and Amazon.
www.stephaniehaefnerthewriter.com


Guest Post: Previously Published Authors & Their Decision to Self-Pub


Today I have the pleasure of introducing you to Christine Bell/Chloe Cole, Dee Carney, Cari Quinn, and Dee Tenorio here at Fiction Groupie. These lovely authors are going to talk to us about their decision to venture out into the self-publishing world AND they have been kind enough to offer a big ol' contest along with it! So yay!

And before I turn it over to them, I just want to let everyone know that you should tune in to this blog on Friday because guess what? I'M GOING TO REVEAL MY COVER!!!!!!!!!!!!!!! (**if I'm allowed, still checking on that.) I got it today and am SO EXCITED to share it with everyone. So don't miss that.

Now take it away, Christine...

The Decision to Self-Publish

Thanks so much Roni, for allowing us to take over your fabulous blog today! To celebrate the upcoming release of our erotic romance anthology, Undercover Lovers, Dee Carney, Cari Quinn, Dee Tenorio and I are going to talk about our decision to self-publish and give some insight into how we went about it. We’re also running a mega-contest and will be giving away an ARC of Undercover Lovers to TWENTY random commenters!

Dee Tenorio and I have been friends for a while and have talked endlessly about the recent shift in publishing, the phenomenon that is e-pub and the really great (varying, and often confusing) opportunities out there for authors right now. Self-publishing came up time and time again in these discussions. Not so much as an alternative to working with our current publishers, but as a way of increasing our visibility, offering a product that was entirely within our creative control (SO much fun!) and selling more books. Never one to let the grass grow beneath my feet, after several of these discussions, I said “Okay, I’m doing it. I’m writing a novella and by June 1st, I’m going to self-pub it. You want in?” and she said “Absolutely.”

I’d love to tell you that we had it all worked out from the get go. We didn’t. But we did have the basics. Dee is a tekkie (thank God) and volunteered to handle the formatting and cover design. I researched some tax laws and contracts, wrote up a two page contract and volunteered to handle the finances (as most retailers will not pay to more than one person for a single work*). We also settled on the parameters of the book. We wanted a four story anthology and we wanted it to have a unified theme. Dee suggested Undercover Lovers and I thought it was a brilliant theme. All the stories would be around 20k words, and would feature either a hero or heroine who was hiding their true identity from the other.

Now that we had our ducks in a row, it was time to find two more authors. After bouncing some names around, we settled on our choices and sent a professional email, letting them know that what we were looking to do, citing our publishing credits and asking Dee Carney and Cari Quinn if they would like to join us. They both said yes and we were thrilled! They came in with vigor and ideas and suggestions to streamline the contract and the process and we were off and running.

Because one of the biggest benefits to self-publishing is the ability to write and see your work on virtual shelves very quickly, we wanted to take advantage of that. We set up a tight deadline, allowing about five weeks for writing then another five for editing, formatting and cover art. Due to our collective experience, we felt we could edit for one another in a sort of round-robin fashion. This allowed us to each receive three passes of edits before doing one final pass for ourselves. It worked out really well because each of us has a particular strength in this area. Where one of us might be weaker in grammar, they would catch any timeline issues or plot problems. We had a lot of laughs during the process and aside from jitters (we all wanted to impress one another!) it was as painless as any editing experience I’ve ever had.

Now I’m going to turn it over to my writing partners so you can get an idea of why each of them made the decision to self-publish this time.

Q: Okay chicas, what made you decide to sign on and self-publish this book when it’s very likely that all of you could have sold them to one of your many publishers?

Dee Carney – Honestly, although friends have had great successes with self-publishing, I’ve been on the fence. Although I have one title that’s self-published, the experience wasn’t a great success. I work full-time as a nurse and honestly, don’t feel I have the time needed to dedicate to the marketing, editing, promotion, etc. that is necessary. However, when approached about this anthology--and the opportunity to share that burden--a smile lit my face. Not only was I asked to join a fabulous group of authors, I knew with our combined experience, we have the talent to make this seriously rock. So far, my prediction has come true!

Cari Quinn – I've been interested in self-publishing for a while, but it's not something you can jump into without doing some research. When Dee and Christine approached me, the timing was perfect. I felt confident that they had investigated a lot of the ins and outs and I knew what I was getting into. Best of all, I'd be able to test the self-publishing waters in an anthology with three other incredible authors and we'd be able to cheer each other on to write high-quality stories that worked well with the others. I think (hope!) we accomplished what we set out to do. Plus it was a ton of fun! I loved that we set the timeline and we were our own editorial directors. I wouldn't hesitate to do it again, especially with these talented ladies. All three are now on my TBR.

Dee Tenorio- Well, to be honest, as much as I love my publishers, I wanted to have something out a bit earlier than the slots they could offer. Currently, you're looking at a book out—at the earliest, six months after submission and you're competing with the other 4-6 titles released that week. Self-pubbing is a really exciting arena right now and the time was ripe for experimenting. You're competing only with yourself... You know, yourself and the other thousands of books that are out there, lol. But I try not to let odds like that bring me down. It's a new challenge, which, honestly, is why I started with epublishing in the first place. I'm a ground floor kind of girl. :) Getting to write with friends just put it over the top and I dove right in. Plus, well, I had this really great idea about a wounded hero and a woman risking everything to love him… Really now, who can turn down something like that?

Now for our contest! Undercover Lovers is out now, and we’re hoping to get some ratings and reviews cooking on Goodreads, Amazon etc. Today we’ll be giving away TWENTY ARCs of our anthology Undercover Lovers today here on Fiction Groupie! To enter, just comment and leave your email address and preferred format (pdf, epub or mobi) and you’re in. We would love it if, after reading, you would consider taking a minute to give it an honest star rating or review if you have the time (no obligation).

Thanks so much for having us Roni!

*I won’t bore you with contract details, but if anyone has any specific questions regarding that process, maybe pitfalls and things to make sure you include, feel free to ask questions via comments, or email me directly at rcbell64@yahoo.com. I don’t profess to be an expert by any stretch, but I think we all felt good about the end result. 

Thanks so much, ladies, for visiting! And now everyone go enter the contest! :) --Roni

Guest Blog: E-Publishing Myths and Advantages from Author Christine Bell



Today, I'm happy to turn over the blog to the lovely Christine Bell, whose first novella Pray releases today from Cobblestone Press!  Let's all give her a squee to celebrate her first release!  She also has another title upcoming from Cobblestone and one from Carina Press (Harlequin's digital first publisher). She's on a roll!

Now, I've made it no secret that I'm a supporter of e-books. I heart my Kindle and regularly buy titles from digital-only/digital first publishers. I've discovered some terrific stories and some new favorite authors that way. However, I know there are a lot of misconceptions out there about digital publishing. So, I thought I'd have someone "in the know" discuss her experience so far with e-publishing since she can give us the nitty gritty information.  So, Christine, take it away...

I want to start by thanking Roni for inviting me to guest blog!  It’s a real pleasure for a couple of reasons. First, because her crib is way more glam than mine.  If blogs were dogs hers would be a bichon frise and mine would be a basset hound (and by that, I mean sad looking).  Second, because it gives me a legitimate excuse not to work on my current WIP.  Since I prattled on for a long (long) time, we’ve split this into two parts.  Part one is here and part two is on my blog, so come check it out. I’ll try to clean up before you get there, but try not to judge me too harshly.   

Myths and Commonly Offered Advice That I (and think you should) Ignore and Why, Part One (catchy title, no?)

E-Publishing is Less Valid Than Print Publishing 
I’m going to have to disagree with this one.  I know there are going to be some doubters out there who think because I’m strictly e-pubbed, I’m just fooling myself here.  Making excuses because I haven’t managed to grab the brass ring; *cue lights and choir* New York.  Truth is, I’ve never even tried.  

So far, I’ve written novellas, which are far better served in a digital format.  One is a steampunk novella that begged to be written, so I wrote it, never thinking, “Who’s going to buy it?”  I knew exactly where I wanted it to go; to Carina Press, where no great story goes untold.  So when Angela James called me to tell me they wanted it, there was no reservation. I was 100% elated.  I cried, I laughed. I never thought, “Well, this doesn’t really count” or “It would be better if it was a print publisher.” 

When I got my first contract offer from Cobblestone Press for my wolf-shifter novella, Pray, I felt the same way.  I know that some people feel that anyone can sub just about anything and get e-pubbed.  I have a pile of R’s to refute that. Most reputable e-pubs only accept about 3-5% of their submissions.  Per a recent post from the Carina Press website, of the 1600+ submissions they’ve received, only about 160 of them were acquired and of those, only 80 of them came from the slush pile. That seems pretty choosy to me.  

I think if any good e-pub is going to invest time into editing, cover art and marketing (and from my experience so far, they do) they have to feel you have a good product. Since my first contract offer, I have sold five manuscripts and gone through the editing process with two of them. I can promise you, it’s the real deal.  The process is rigorous.  My editor for Pray (Hi Darcy!) was completely sans ruth, and I love her for it.  My dealings with the cover art department have been nothing but professional and wonderful.  All in all, it has been fabulous.  

And, given the fact that print books will likely be all but obsolete in the next 50 years, I think aspiring authors should take advantage.  That’s not to say that I’m anti-print.  I totally understand the desire to want to have your name on a physical book.  And when I decide to write a full, I may choose to submit it to a print publisher.  But if and when I do, I will never stop e-publishing.  It’s the wave of the future, the antidote for the instant gratification junkie and I think it's really fantastic medium. 

5 Reasons I love E-pub
 1. The wait times are shorter and I'm impatient.  
I hate waiting on pins and needles to see if a publisher wants my book, and once I find out they do want it, I want to get it published.  I want my cover art.  I want to start edits.  I have friends who are contracted with big print publishers that have been waiting longer from submission to publication than I have been writing.  That’s just depressing.  Send your partial and wait three months.  Get a request for full.  Six months later, get a revision request.  Nine months later, the full is accepted.  Publication date?  12 months after that.  Ack!!!  I could make a toddler from scratch in that amount of time. 

2. No messy mail. 
I use my computer for everything.  It's how I connect with family around the world, how I pay my bills, how I get my news.  The idea that I have to print out hundreds of pages on paper, go to a post office (I haven't been to a post office in this millennium), and mail something is a hurdle for me. 

3. More options.  
Not many print publishers accept unsolicited ms’s from un-agented writers and actually reads them, unless it's category romance.  E-pub isn’t just erotica anymore.  Pubs like Carina are offering to read and publish all types of stories, almost any genre, almost any length, and some are even branching out into audio-books. 

4. Your backlist is easily accessible and (almost) never goes out of “print”.  
Once you have a few books under your belt, fans can easily go back and find your earlier books and download them.

5. I buy e-books, therefore I want publish them.  
When I'm in bed at night, looking for excuses not to write, I can go online and get just about any book I want, RIGHT that second. 

So, to sum it up, I’m thrilled with how things are going for me right now in e-publishing.  And if you’re on the fence about it, while you're waiting for your New York dreams to come true, I encourage you to try it too.  If you want to become a published author, build a fan base, write something erotic, something mainstream or even something that doesn’t fit perfectly into an established niche, and make some money while you’re at it, e-publishing might be for you.  Come on in, the water's fine!

Thanks again to Christine for her insight and be sure to click over to her blog to read the second part of this post AND to enter her contest where you can win all kinds of fab prizes!

So what are your thoughts on e-books? How do you feel about some of these points/myths, pro/cons, etc.? Do you read e-books?  Are you considering e-publishing for your own work?

**Today's Theme Song**
"Who Knew" - Pink
(player in sidebar, take a listen)

Friday Face Off: E-Publishing

 

As aspiring authors, our goal is to get published (Yes, I'm playing the role of captain obvious today). That used to be a straightforward plan. Write great book, land an agent, get a publishing contract, see book on shelf. Done. Right?
Well now there are more options than that. The rapidly rising industry of ebooks is beginning to change the face of publishing. Now, instead of just having hold-in-your-hand printed books, there are e-books and self-publishing and print on demand technology. Things are changing fast and we better pay attention.
But my question is, if you don't have luck with the traditional route, should you consider the ebook publishers?  (I'm not going to talk about self-publishing. Weronika discussed that if you are curious about that direction.)
Ebooks are gaining popularity, especially in the areas of romance, erotica, and fantasy/science fiction. And more and more companies are producing devices--Kindles, SonyEreaders, the Nook, and of course the new I-pad are just a few of the options.
So, is this a good route to get your words out there? I know most of us would prefer the traditional route because distribution and sales are still much greater this way, so I'm not going to pit that against ebooks. Instead, I'm going to look at the pros and cons of going with an e-publisher if you haven't had luck landing an agent or traditional NY publisher. 
Is it better to be e-published or is it better to tuck your manuscript away and move on to the next project?
E-Publishing vs. Waiting out the "Book in the store" dream


For love of technology:

 --An Ebook can be your springboard--This gets your name out there and gains readers. The early titles of Sherrilyn Kenyon, Angela Knight, and Sylvia Day were released as ebooks before they had books in traditional format. (source)  And the more conferences I go to, the more I hear authors say they started in the ebook world and then were able to move into print publishing because of the success they built in that format.

--The turnaround to get published is quicker
--Royalty percentages are usually higher with ebook publishers
--Environmentally friendly--same great book, less waste
--More control--it's been said that epublishers are often very author friendly
--Your book is published and not gathering dust in a drawer
--Genres such as romance have big gains in ebook readership
--Readers get a reasonable price on your book
--Once someone owns a e-reader (speaking from experience), it's easier to make an impulse buy. You hear about the book, sixty seconds later, it's on your reader. I did this yesterday in fact. If I had had to purchase this recommendation from my friend from a bookstore, I probably would have never gotten around to buying it.
--Because the upfront costs are lower, the e-publishers can take more risks, so they may give you a shot when an agent or traditional publisher couldn't because of market conditions/similar stories in their hopper/editor preferences/etc.  This is why erotic romance started in ebook world--print publishers didn't think there was a market for it.  Then, when those things started selling like crazy (women readers are naughtier than anyone thought), all the big publishers hopped on board and added erotic romance lines.


In defense of holding out for NY:

--Your ebook will not be on a shelf at the local bookstore. Your grandmother will never believe you are published.  However, some of the epubs do also put books into print (Samhain, Wild Rose Press, etc.)
--Ebooks have a stigma attached to them that they are not as high quality as traditionally published books. (I read a lot of ebooks and I have not found this to be true, btw.  In fact, I read an ebook and a traditionally pubbed this week- both erotic romance - and the ebook was really good whereas the big name publisher one was awful.)
--If you eventually get traditionally published with a different manuscript, you can dust off that first novel, revise, and try to get it published now that you're established.
--The number of people who own e-reading devices is still pretty low. The upfront cost for a reader is significant.
--You may not feel satisfied because it is a modified version of your dream.
--Distribution and income can be limited with ebook publishing. 
--Some genres are not as ebook friendly.  If you write romance (especially sexy or erotic romance) you have lots of e-pub choices.  If you write young adult or literary fiction, the choices are much more limited.
By the way, if you're curious about e-publishers, here are some of the bigger ones to check out:  Samhain, Wild Rose Press, Carina Press (Harlequin's new epub), and Ellora's Cave (erotic only).  And for a more complete list, click here.  If you haven't tested out any ebooks, I suggest buying a few and getting a feel for what's out there.  If you don't have an ereader, many offer print versions.
By nature, I'm an early adopter with technology.  So if my submission doesn't work out with Harlequin, I will probably pursue this route to see if there is interest in my book.  I read a lot of ebooks and  have been introduced to a number of authors this way, so I think it's a valid route to "break in".  However, I'm curious to hear your own thoughts.

So what's your opinion? If you tried to go the traditional route and it didn't work out, what would you do? Would you try to submit to an e-publisher or would you bury your manuscript and move on? I'd love to hear from those who have been e-published as well. What was your experience?
*This is an updated version of a post I did in September 2009*
 

 


**Today's Theme Song**
"My Generation"-- Limp Bizkit

(player in sidebar, take a listen-but be warned, dirty words in this one)

 

Face Off Friday: E-publishing

 

As aspiring authors, our goal is to get published (Yes, I'm playing the role of captain obvious today). That used to be a straightforward plan. Write great book, land an agent, get a publishing contract, see book on shelf. Done. Right?
Well now there are more options than that. The rapidly rising industry of ebooks is beginning to change the face of publishing. Now, instead of just having hold-in-your-hand printed books, there are e-books and self-publishing and print on demand technology. Things are changing fast and we better pay attention.
But my question is, if you don't have luck with the traditional route, should you consider the ebook publishers? (I'm not going to talk about self-publishing. Weronika discussed that recently if you are curious about that direction.)
Ebooks are gaining popularity, especially in the areas of romance, erotica, and fantasy/sci-fi. Kindles and SonyEbooks are selling quickly and new companies are jumping in the ring with their own technology. Even Borders and Barnes and Noble are moving into the market.
So, is this a good route to get your words out there? I know most of us would prefer the traditional route, so I'm not going to pit that against ebooks. Instead, I'm going to look at the pros and cons of going with an e-publisher if you haven't had luck with an agent or traditional publisher. Is it better to be e-published or is it better to tuck your manuscript away and move on to the next project?
E-Publishing vs. Waiting out "the dream"


For love of technology:

 --An Ebook can be your springboard--This gets your name out there and gains readers. The early titles of Sherrilyn Kenyon, Angela Knight, and Sylvia Day were released as ebooks before they had books in traditional format. (source)

--The turnaround to get published is quicker

 

--Royalty percentages are usually higher with ebook publishers

--Environmentally friendly--same great book, less waste

--More control--it's been said that epublishers are often very author friendly

--Your book is published and not gathering dust in a drawer

--Genres such as romance have big gains in ebook readership

--Readers get a reasonable price on your book

--Once someone owns a e-reader (speaking from experience), it's easier to make an impulse buy. You hear about the book, sixty seconds later, it's on your reader. I did this yesterday in fact. If I had had to purchase this recommendation from my friend from a bookstore, I probably would have never gotten around to buying it.

 

--Because the upfront costs are lower, the e-publishers can take more risks, so they may give you a shot when an agent or traditional publisher couldn't because of market conditions/similar stories in their hopper/editor preferences/etc.



In defense of practicing patience:

--Your book will not be on a shelf at the local bookstore. Your grandmother will never believe you are published.
--Ebooks have a stigma attached to them that they are not as high quality as traditionally published books. (I have recently started reading ebooks and have not found this to be true, btw.)
--If you eventually get traditionally published with a different manuscript, you can dust off that first novel, revise, and try to get it published now that you're established.
--The number of people who own e-reading devices is still pretty low. The upfront cost for a reader is significant.
--You may not feel satisfied because it is a modified version of your dream.
--Distribution can be limited with ebook publishers.


So what's your opinion? If you tried to go the traditional route and it didn't work out, what would you do? Would you try to submit to an e-publisher or would you bury your manuscript and move on? I'd love to hear from those who have been e-published as well. What was your experience?


**Today's Theme Song**
"You Can't Always Get What You Want"-- Rolling Stones

(player in sidebar, take a listen)