Want to Get High (Concept)?

Go to any writer's conference and you'll hear the following two words ad nauseum: High Concept.  Agents, publishers, your Uncle Bernard--everybody wants your story to be high concept. And as I judge contest entries, I can tell you the high concept can be quite elusive. So what exactly does that mean?

High concept is an intriguing idea that can be stated in a few words and is easily understood by all. --James Bonnet

Okay, great. Sounds easy enough. Movies and tv shows use this all the time. It's just a log line, right? Well, not really. Let's look at a few log lines from today's tvguide.

Swingers--Warmly amusing story about the do's and don'ts of dating, centering on six friends who go looking for love at hip LA hotspots.
Definitely, Maybe--On the eve of his divorce, a jaded Manhattan ad exec tells his ten year old daughter how he met her mother.

*Shrug* Both good movies, but based on those descriptions I could take 'em or leave 'em. They tell you in general what it's about but there's no real intrigue. That's not to say they don't have high concept, but these loglines don't speak to it.

Now let's look at a few examples that are considered "high concept.

Speed--A cocky cop must find a way to save people stranded on a city bus that will
explode if is slows below 55 mph. (source)
Double Jeopardy--When a young wife discovers the husband she’s convicted of murdering isn’t dead, she escapes custody to track him down and kill him. (source)
The Hangover--After a wild bachelor party in Vegas, three friends wake up to find the groom missing, and no one has any memory of the previous night.
Back to the Future--In 1985, Doc Brown invents time travel; in 1955, Marty McFly accidentally prevents his parents from meeting, putting his own existence at stake. (imdb)

Ooh, now I don't know about you, but those grab me. Why? What are the differences between a straight logline and a high concept.

High concept stories have...

1. A unique premise

This doesn't mean you have to do something that's NEVER been done before. Let's face it, that's hard. But put a twist on it. In Speed, we've seen bomb/terrorist plotlines before, but wait, let's put it on a bus, oh and let's make sure that the bus can't slow down. In New Moon, we basically have Romeo and Juliet with vampires and werewolves.

2. Universal appeal

If your idea is unique (#1) but so bizarre that no one can relate to the premise, then you've lost your high concept. In Double Jeopardy, being betrayed by a spouse is something most people can connect with. No, maybe not everyone has been betrayed by their husband/wife, but we can imagine what that would be like. And certainly everyone has been betrayed at least once in their life by a friend, family member, etc.

3. Instant emotional connection

If we don't connect emotionally with a story, then what's the point of reading it? In Speed, we can connect with the idea of being an innocent bystander on the bus caught in that life or death situation. Or the cop whose trying to save everyone. In The Hangover, we can imagine the panic we would feel if we woke up and had no memory of the previous night and our friend was missing.

4. Obvious Potential (Can be visualized immediately)

When you hear a high concept pitch, you instantly start imagining what could occur. This doesn't mean a predictable story necessarily, but it gets our mind working. In Twilight, we can imagine what problems might arise when a vampire falls in love with a girl whose blood is absolutely irresistible to him. Clueless goes to Harvard Law (guess the movie). We can imagine the funny antics that will ensue.

5. Only one to three sentences (preferably one)

If you can't cover it in this amount of time, your concept made need a shot of heroine--sorry, I can't resist making lame puns--your concept needs to get high.

A few things to help you create your high concept...

  • Create a compelling character with a desperate desire
  • Give the character a flaw related to their job or situation
  • Have a life-altering, inciting event
  • Insert a quirk of fate or irony

--source

Alright, so I hope that helps. I know that we all want to be able to do that "elevator pitch" if ever given the right opportunity. And we certainly want that one liner in our query that is going to get an agent or publisher excited. I'm terrible at this, so this post is as much for my benefit as everyone else's. I'm bound and determined to have my high concept pitch before I jump into my next novel.

Here are the sources I quoted from, check them out for more info:

Conquering the High Concept

High Concept Defined

Got High Concept (from RWA)

What's all this talk about high concept? (from the Knight agency)

If you want to see examples of loglines (some high concept, some not) and taglines (i.e. hooks), go to imdb.com and enter any movie. They offer one line plot summaries and the hook for every movie. It's awesome.

So have you done this? What's your logline or high concept pitch? Do you think your current WIP fits these guidelines? What are some great high concept books that you've read or movies that you've scene lately? What would be there logline?

*Repost from October 2009

 

Face Off Friday: Movie vs. Book (and Contest Winner!)

 

The results are in and the winner of the gift certificate is....at the bottom of the page. :)
First, I wanted to talk about movies and books. Tonight I'm going to see New Moon (yes, I've told you, I'm a Twilight dork, so I'm braving the crowds on opening night.) But, I'm going in with relatively low expectations.
Although I am looking forward to the eye candy, I know that movies typically don't live up to experience of the book. Part of this is because movies can't really "tell" you much, they have to "show" everything which, of course, is preferable in novels as well. But it means we can't hear as much internal dialogue and voice and we have to rely on the actors to nail how we pictured the characters reacting. It's almost impossible for a movie to meet the level our imaginations can achieve when reading.
So here's my Face Off Friday question:
 
Should you read the book first so that you can experience the story in it's pure form before seeing the movie?

Or, should you see the movie first and enjoy it for what it is before your expectations skyrocket, then read the book and enrich the experience?
 
I personally am a read first, see movie second person. Although on the few occasions where I saw the movie first (John Grisham's The Firm), I liked the movie much more than I probably would have had I read the book first.
So how about you? What's your style? And have you ever found a movie that was BETTER than the book or that perfectly lived up to your expectations?
Also, just a note, but I hope you all have a wonderful Thanksgiving week. I am hosting family for the week and am doing all the cooking for Turkey Day, so instead of new blog posts, I will be re-running some of my earlier posts that I did before I had most of you following. I will still be responding to comments and such, but I probably won't be making it to very many blogs.
Okay and finally, the winner of the certificate is....NATALIE MURPHY!!! Congrats! I'll be emailing you later today.
Thanks to all of you who entered and I loved all the blog suggestions. I will definitely be covering those in future posts! :)
Here's the random.org breakdown, which picked the winner:

List Randomizer

There were 31 items in your list. Here they are in random order:

  1. Natalie Murphy
  2. Gavin
  3. UberGrumpy
  4. Donna Hole
  5. Angela
  6. Jessica Kennedy
  7. Fiction Vixen
  8. Stephanie H.
  9. Shannon O'Donnell
  10. Susan R. Mills
  11. jbchicoine
  12. Dawn Hullender
  13. Julie
  14. Julie Dao
  15. Amber Tidd Murphy
  16. Joshua
  17. Stephanie Thornton
  18. Stephanie L. McGee
  19. Ash. Elizabeth
  20. Angie Ledbetter
  21. jenheadjen
  22. AjFrey
  23. Tabitha Bird
  24. Patti
  25. Alice in Wonderland
  26. CKHB
  27. Jennifer Shirk
  28. Angie
  29. melane
  30. sherrinda
  31. Makita Jazzqueen

Timestamp: 2009-11-20 15:40:43 UTC

**Today's Theme Song**
"Uprising"-- Muse
(in honor of Twilight, a little Muse--my player isn't working, i'm trying to fix it)

 

Who Wants to Get High (Concept)?


Go to any writer's conference and you'll hear the following two words ad nauseum: High Concept.  Agents, publishers, your Uncle Bernard--everybody wants your story to be high concept. So what exactly does that mean?

High concept is an intriguing idea that can be stated in a few words and is easily understood by all. --James Bonnet

Okay, great. Sounds easy enough. Movies and tv shows use this all the time. It's just a log line, right? Well, not really. Let's look at a few log lines from today's tvguide.

Swingers--Warmly amusing story about the do's and don'ts of dating, centering on six friends who go looking for love at hip LA hotspots.

Definitely, Maybe--On the eve of his divorce, a jaded Manhattan ad exec tells his ten year old daughter how he met her mother.

*Shrug* Both good movies, but based on those descriptions I could take 'em or leave 'em. They tell you in general what it's about but there's no real intrigue. That's not to say they don't have high concept, but these loglines don't speak to it.

Now let's look at a few examples that are considered "high concept.

Speed--A cocky cop must find a way to save people stranded on a city bus that will
explode if is slows below 55 mph. (source)

Double Jeopardy--When a young wife discovers the husband she’s convicted of murdering isn’t dead, she escapes custody to track him down and kill him. (source)

The Hangover--After a wild bachelor party in Vegas, three friends wake up to find the groom missing, and no one has any memory of the previous night.

Back to the Future--In 1985, Doc Brown invents time travel; in 1955, Marty McFly accidentally prevents his parents from meeting, putting his own existence at stake. (imdb)
Ooh, now I don't know about you, but those grab me. Why? What are the differences between a straight logline and a high concept.


High concept stories have...

1. A unique premise

This doesn't mean you have to do something that's NEVER been done before. Let's face it, that's hard. But put a twist on it. In Speed, we've seen bomb/terrorist plotlines before, but wait, let's put it on a bus, oh and let's make sure that the bus can't slow down. In New Moon, we basically have Romeo and Juliet with vampires and werewolves.

2. Universal appeal

If your idea is unique (#1) but so bizarre that no one can relate to the premise, then you've lost your high concept. In Double Jeopardy, being betrayed by a spouse is something most people can connect with. No, maybe not everyone has been betrayed by their husband/wife, but we can imagine what that would be like. And certainly everyone has been betrayed at least once in their life by a friend, family member, etc.

3. Instant emotional connection

If we don't connect emotionally with a story, then what's the point of reading it? In Speed, we can connect with the idea of being an innocent bystander on the bus caught in that life or death situation. Or the cop whose trying to save everyone. In The Hangover, we can imagine the panic we would feel if we woke up and had no memory of the previous night and our friend was missing.

4. Obvious Potential (Can be visualized immediately)

When you hear a high concept pitch, you instantly start imagining what could occur. This doesn't mean a predictable story necessarily, but it gets our mind working. In Twilight, we can imagine what problems might arise when a vampire falls in love with a girl whose blood is absolutely irresistible to him. Clueless goes to Harvard Law (guess the movie). We can imagine the funny antics that will ensue.

5. Only one to three sentences (preferably one)

If you can't cover it in this amount of time, your concept made need a shot of heroine--sorry, I can't resist making lame puns--your concept needs to get high.

A few things to help you create your high concept...
  • Create a compelling character with a desperate desire
  • Give the character a flaw related to their job or situation
  • Have a life-altering, inciting event
  • Insert a quirk of fate or irony

Alright, so I hope that helps. I know that we all want to be able to do that "elevator pitch" if ever given the right opportunity. And we certainly want that one liner in our query that is going to get an agent or publisher excited. I'm terrible at this, so this post is as much for my benefit as everyone else's. I'm bound and determined to have my high concept pitch before I jump into my next novel.

Here are the sources I quoted from, check them out for more info:


If you want to see examples of loglines (some high concept, some not) and taglines (i.e. hooks), go to imdb.com and enter any movie. They offer one line plot summaries and the hook for every movie. It's awesome.


So have you done this? What's your logline or high concept pitch? Do you think your current WIP fits these guidelines? Also, what do ya'll think I'm my kinder, gentler new blog design? I'm on the fence about it, so let me hear it. :)



**Today's Theme Song**
"High Enough" - Damn Yankees
(player in sidebar--go ahead, take a listen)

The Top Ten Things You Need to Know About Fiction Groupie

 

Novice Writer tagged her followers yesterday (after being tagged herself) to blog about the top ten things. So, since this will save me the trouble of having to create a whole new idea (and give me more time to work on WIP) for a blog post, here goes:

10. My taste in music is a bit schizophrenic. For example, concerts I've been to in past few years: Fall Out Boy, Motley Crue, Chicago, Foo Fighters, Britney Spears, Marilyn Manson, NKOTB, Weezer, Nine Inch Nails, All-American Rejects, Bowling for Soup, The Offspring, Def Lepard, No Doubt, Cinderella, Journey, AC/DC. I'm usually one of the youngest people at the concerts (Chicago) or one of the oldest (Fall Out Boy.) This makes me wonder what people my age are listening to. Maybe I'll see more of my peers at the upcoming Kelly Clarkson and Pink concerts.
9. I can spin a basketball on my finger and recite the names of all the books in the New Testament. Skills leftover from basketball camp and bible school when I was a kid.
8. I know it's the unpopular thing amongst writers because of all the writing/story flaws, but I ♥ Twilight. There I said it. :)
7. I met my husband on AOL ten years ago (before internet dating was the thing to do) when he was looking for someone to chat with about LSU. A few months after we met, he picked up his life, moved to Louisiana, and we've been together ever since. Who knew I'd get to experience a romance novel premise in my own life?
6. I can recite all the words in Dirty Dancing, about 90% of Sixteen Candles, and most of the series Dawson's Creek and Friends. I'm nothing, if not cheesy.
5. I love to cook and rarely cook the same thing twice. I could start a whole new site called Cookbook Groupie (but will refrain from doing so).
4. In my past life as an adoption social worker, part of my job was transporting two day old infants in planes, trains, and automobiles alone (okay, so there were no trains unless you count the monorail at the airport) to get the babies to their new parents. Scary stuff when, at the time, I had no experience with babies.
3. I prefer beer (the darker the better) to wine.
2. I'm a perfectionist, but a terrible housekeeper.
1. I wear my heart on my sleeve, but have a great poker face from my days of being a therapist. I only fall apart in front of a very select few.
Questions: Do we have anything in common? Does anything surprise you?Would you like to play along on your blog? If so, consider yourself tagged!