Top Five Mistakes Writers Make at Conferences

So, I've mentioned before that I'm a conference whore. I think part of it is that I've always loved learning. I have nerd DNA that can't be escaped. But the other part is that I have so much fun being around other writers. It's like finding your home planet after feeling like you were the only weird one all these years. So for the past two years, I've attended about three conferences each year. And over those two years, I've started to notice some patterns and mistakes that some writers make--especially when they are conference virgins.

So I thought I'd put together a list of the pitfalls to avoid...

Five Mistakes Writers Make at Conferences

 

1. Attending only "industry/career" workshops vs. craft workshops.

This is probably the number one mistake I've seen newbie conference-goers make (because I, of course, have never made this mistake. *cough*) We go to a conference and there are all these agents and editors that we stalk/follow on the internet. And OMG, they are going to be on a panel and tell us all the things they want to see in a query and all the super secret insider stuff to get published. Must. Go. Right?

Well, yes, these are often helpful. And believe me, those workshops run out of seats immediately.  Meanwhile, there's an awesome NYT author in Room B giving a course on deepening characterization or something and it's half-empty.

Hear this: If you aren't actively honing your craft, the "how to query", "what are the current trends", "are you still accepting vampire novels" panels are only going to get you so far. The writing needs to come first. So balance your schedule. Pick a few industry type classes, but make sure at least half of the rest of the workshops you attend can make you a better writer. This should be your goal. Look around in those classes, who's sitting in them? Published authors. And obviously this goal changes once you're multi-published. You always want to focus on craft. We can always learn. But there's only so many workshops you can go to on the same topics. Now you can swing your schedule more heavily to the career/business panels.

2. Focusing too much on the big pitch session with the agent or editor.

Getting a chance to pitch is often the initial draw for a person to attend a conference. Screw the slushpile, you get to sit and babble like a drunken monkey in front of a real live agent/editor! I never pitched in person, as I've accepted I'm better on paper than in person.

But here's the thing--yes, pitching can be a great opportunity, but really, it's only glorified querying. Most agents will ask for a partial (unless the genre is totally off or something) so you may get a chance to get more pages in front of them. BUT it's still about the writing. SO, don't waste your whole conference stressing and focusing on the pitch and go to your workshops in a haze. You're there to learn and network first. Pitching second.

*This also goes for agent-stalking in the elevators and bars. Don't spend all your time trying to corner your favorite agent to elevator pitch them and become BFFs. I'm sure by the end of the conference agents and editors feel like gazelle in the middle of a lion pride. Their eyes are shifting left and right looking for the next writer to pounce. Don't be one of those lions. (Same goes for stalking reviewers/bloggers if you're already published.)

3. Getting caught up in the "FREE STUFF!"

This is more an issue at the national conferences. For instance, at RWA Nationals, each publisher does a book signing where you literally go pick up books for free. Now, offering writers free books is like putting out a donut buffet after you've been on a juice diet. We're drawn to it, our eyes glazed over, mumbling "boooooks, booooookkksss."

I am all about the signings. Reading widely is part of the job. But you don't want to ONLY do that. You have to skip workshops to go to those signings. Balance it out. Make sure you're not missing something really amazing in the process. Believe me, you'll end up with a lot of books no matter what.

4. Keeping to yourself or only socializing with your little group of friends.

The vast majority of writers are introverts. And when we go to a conference (especially our first conference) we have the urge to keep our heads down and stay focused on the task at hand. This can be even more the case when you're pre-published and still wrestling with your own feelings about calling yourself a writer out loud. But a big part of the benefit of a conference is the networking aspect. People are SUPER friendly. And you're all writers, so you automatically have something in common. For you shy people (like me), force yourself to turn to the person next to you in a workshop or at lunch and ask "So what do you write?" You'll be amazed how easy the conversation is and how you can meet some really great new friends. (And sidenote if you see ME at a conference, I have resting bitch face, y'all. Don't be scared. I'm friendly and happy to chat. You just might have to make the first move, lol.) 

5. Not going to conferences at all.

This is the biggest mistake of all. Yes, sometimes it's a location or finance issue. That's understandable. But if you have the means to get to a conference--there are fabulous local ones all over the place--then go! Online conferences are great, but there's something about being present in a room with others who are doing the same as you. It's awesome. I've learned so much at conferences, have met great people, and I never fail to leave them feeling re-energized about my writing. So put yourself out there.

Alright, for those of you who have been to a conference, have you made any of these mistakes? What other tips would you give conference-goers? And if you haven't been to a conference, how come? 

RWA Nationals: Help! Which Workshops to Choose?

 

So I'm hitting the oh-crap-it's-already-here point with regards to RWA Nationals.  I'm not packed.  I haven't made my necessary "don't forget" list, and I haven't decided which of the bazillion workshops I want to attend.  Therefore, I need your help!

 

I plan on taking back what I learn from the conference and sharing it with you guys, so I'm curious to know what you guys are most interested in.  Craft?  Agent panels?  The business of writing?

When I go to conferences, I tend to stick to craft things, but now that I'm hitting the querying stage again, those business related workshops are also appealing.  So I'm torn.

Here's the list of classes in case you want to peruse and help me out.

So you tell me, what do you want to know more about:  queries, agents, pitching, dialogue, building sexual tension, POV, GMC, characterization, high concept, world-building?  I'm not promising that I'll be able to go to all of those, but maybe if there is some burning topic all you guys are curious about, it will help me decide when  I'm trying to pick between two workshops held at the same time.

Thanks!

So which ones do you think I should go to?  How do you decide which ones to choose at a conference?  Do you tend to go for craft, agent/editor panels, or career-related ones?

 

**Today's Theme Song**
"Brain Stew" - Green Day
(player in sidebar, take a listen)


 

Use Your Resources

 

   

 


First of all, I just want to remind everyone that tomorrow is the big day, the Let's Talk Blogfest!  If you haven't signed up, there is still time, go here.  (Go ahead, I'll wait.)  Right now we have over 80 people signed up, so it's going to be so much fun seeing what everyone comes up with!

 

Alright, moving on.  So Saturday I attended my monthly local RWA meeting and participated in a critique round table event.  Normally the meetings are workshops, but once a year they do this event where you submit your first chapter ahead of time and then they assign you one of the published authors in the group to give you an in-person critique.

Well, I was nervous to submit.  All of the critiquing I get is through my online group, so I've never had the face to face thing.  Plus, hello, published author looking at my work--what if I totally sucked?

But despite all that, I decided I would be silly not to take advantage  of such an opportunity.  People pay good money at auctions and such to get these kinds of critiques and I would get this opportunity for free.  So, I went ahead and submitted the first chapter of my contemporary romance WIP.  And I'm so glad I did.

My assigned author was Candace Havens, who has written a number of paranormal books and is a current Blaze author.  Some of you may already be part of her free online write workshop. (If you're not, go sign up, it's a killer resource with workshops, contests to win critiques, and all kinds of other helpful tidbits.)  I was so excited to find out she was who I'd been assigned.

The critique turned out to be amazing.  She said I didn't need a line edit because the writing was clean (yay for that), so she spent all the time on the big picture advice that I so needed (where to start that first chapter, what the editors are specifically looking for, how I needed to strengthen my heroine to stand up to my larger-than-life hero, and how to lighten up some areas that had gone a little too dark.)

I'm only a little ways into writing this one and her suggestions sparked all kinds of new ideas for my story and are going to lead me in much better direction then what I originally had planned.  And to get insight from an author who is actually writing for the line I'm targeting is priceless.  Not to mention it's nice to hear from someone I admire that I can write, lol (because some days, I honestly wonder.)

So, what's my point?  The point is that these kinds of resources are out there if you get linked in to the writing community around you.  Join your local writing groups.  The fee is usually low and my group does terrific monthly meetings with great speakers and topics.  Go to a conference.  I know they cost money, but many are reasonable --100-200 bucks for a 2-day thing--and you can save up for it in advance.  I think every writer should give themselves at least one of these a year. And if you live in an area where these things aren't available locally, use the many resources that are available to the online community. Don't be scared to jump in and just go for it.  I'm sure many members of my group did not sign up for the critique round table and missed the opportunity to get such a gift.

So, go out there and find what's available to you.  Give yourself that advantage.  And as a start, you can go sign up for Candace's workshop group--you have no excuse not to--it's free and available to anyone.

How about you?  Do you push yourself to take advantage of what's available to you or do you find yourself making excuses not to participate?  Are you comfortable online, but get nervous at the thought of doing something locally?  What great resource have you found?

 

*Today's Theme Song*
"What You Give" - Tesla
(player in sidebar, take a listen)