Me...On Deadline & an Exclusive Snippet from FALL INTO YOU

First, I want to apologize that blogs have been few and far between lately. But I have a good excuse.

Imagine doing NaNoWriMo two months back to back.

Yeah. That.

Me the last two months...

I've got two weeks until deadline. If I'm still alive at the end of it, I promise to return here with bells on and new posts. : ) Thanks for being patient and sticking around.

In the meantime, here's a sneak peek from FALL INTO YOU (my January release):


His expression remained placid, but the flare in his eyes said he was anything but. “Finish your sentence.”

She cringed but forced her vocal cords to work. “The thought made me mad. And jealous.”

He seemed to consider that for a moment, his head tilting ever so slightly. “Interesting. Kneel down.”

She responded in an instant and attempted to rock down gracefully. Her knees hit the polished wood floors with barely a sound. Yeah, buddy. She fought back a proud smile.

He nodded in approval as he walked a slow circle around her, like an animal sizing up its prey. He stopped in front of her again. “Very nice. Get used to holding that kneel.”

“Yes, sir.”

He stepped back a few feet but continued to watch her as he slipped his suit coat off his shoulders—a slow, fluid motion of a man in no hurry. He folded the jacket and laid it neatly over the arm of the couch, smoothing out an errant wrinkle. Next, he pulled at the knot on his tie, the soft silk-against-silk sound the only noise in the room. His movements stayed methodical, deliberate—his stare unyielding. With each removed item, Charli found her heartbeat ticking up a notch. She moistened her lips. Was he going to take off everything? Was she finally going to get to see all of him, touch him?

He ran the silk tie over his palm with an oh-the-things-I-could- do look on his face, and she could almost feel its smoothness against her own skin. What would it feel like against her wrists, her ankles? But he laid it across his suit coat, leaving it unused. His long fingers went to his cuff links and he unfastened the buttons at his wrists. Clink. Clink. The cuff links hit the glass side table, startling Charli.

Grant gave her a wicked smile as he rolled the sleeves of his white dress shirt up his forearms. “Am I making you nervous, Charlotte?”

“Yes.”

“Smart girl. Your instincts are better than your brother gives you credit for.”  

Read the first chapter or  Pre-Order the Book

*Excerpt Copyright 2012 Roni Loren - All Rights Reserved Berkley Publishing Group

Revealing 3 New Covers and the Reasons for the Change

 

The wait is over!

 

So I've been hinting at it for a few weeks, but today is the day I finally get to reveal my new covers and the new look of the Loving on the Edge series!

I'm over at the USA Today Happily Ever After blog with the reveal and the reasons behind the changes. And how it has everything AND nothing to do with the 50 Shades trend. : )

So please, stop by, comment, tell me what you think! I want to hear from you.

*If you have trouble commenting there because it requires a FB account, feel free to comment here. : )

Is Reading the Genre You're Currently Writing Dangerous?

Photo sent to me by the lovely Stephanie Haefner

There's this thought out there amongst writers that reading something too close to what you're writing poses danger. Why? Because you may lift some idea or concept from a book and incorporate it into your own writing without realizing it--subconscious absorption or something.

So many writers, if they're writing say fantasy YA may stay away from reading any fantasy while they are actively writing and stick to things a little further from home. I get that. It would suck to have someone else's story influence yours too much.

However, here's the thing, if that's the case, then it would be dangerous to read ANY fiction or watch a movie or TV show for that matter. By nature, our stories incorporate ideas we get from things we're exposed to. For instance, if I'm writing my erotic romance, but go see some action film set in Hawaii, it could inspire me to whisk my couple away to the island for a vacation there. There's a difference between inspiration and stealing an idea (whether subconsciously or not). And I think that's where you have to be aware.

 

 

 

But, having said all that, I still read heavily in my genre even when I'm writing it. Why?

 

1. I'm ALWAYS writing.

If you end up doing this for a career, there is very minimal non-writing time, if any. I write every day. I'm under deadlines at least through 2014. If I didn't read romance while I was writing it, I would NEVER get to read my absolute favorite genre. Not acceptable.

 

2. It's important to know what is going on in your genre and what is successful.

This industry is constantly shifting, tastes are perpetually changing. You want to write what you write and stay true to your style, BUT you also don't want to be stagnant or unaware of what is selling. For instance, if you write my genre, you probably should read 50 Shades. Regardless of whether you love/hate/feel indifferent about it, it's important to try to discern what about that book made it such a phenomenon when erotic BDSM romance has been around forever. Keep a thumb on the pulse of your business.

 

3. You learn what is cliche and overdone so you can avoid it.

If you don't read widely in your genre, you may not realize that your SUPER BRILLIANT IDEA has been done a thousand times or that SUPER CREATIVE SCENE is a big fat cliche. 

 

4. You have recommendations to share with your readers.

This is a small thing, but it really does come into play. Many of my readers are new to the genre and they want to know after reading my books, what else is out there that's like this? So if I'm well read in my genre, I can give them some of my favorites, which in turn, helps promote the genre and its authors as a whole.

 

So yes, be aware when you're reading that your mind may try to glom on to something from someone else's book, but don't deprive yourself of the books you love. You're writing this genre for a reason. If someone told me I'd have to give up reading romance if I wanted to write it, I would've found a different job. : )

What do you think? Do you steer clear of reading your own genre when you're writing a new book? Have you ever found yourself accidentally lifting some concept from another book?


Book Deal Squee-ing: More Loving on the Edge On the Way!

 

My awesome new stamp for bookplates

 

Every day I realize how lucky I am to do this whole writing thing for a living. But it's one of those jobs that's always a bit of a crap shoot. You never know how people are going to receive your stories or if they're going to be successful or if you're going to keep getting to do it.

Therefore, each time I get to sign on the dotted line to write more books, I don't take it for granted. So thank you to each and every one of you who have bought my books and enjoyed them. You're the reason I'm going to be writing more stories from The Ranch all the way through 2014. : )

Books five and six have sold! 

October 3, 2012
   
   Fiction:
Women's/Romance 
  Roni Loren's next two books in her LOVING ON THE EDGE series, revolving around The Ranch - a private BDSM club in Texas, again to Kate Seaver at Berkley Heat, for publication in 2014, in a nice deal, in a two-book deal, by Sara Megibow of Nelson Literary Agency (World).

 

This means that 2014 will bring you the stories of both Kade Vandergriff (who you meet in STILL INTO YOU and get to see more of in FALL INTO YOU in January) and Colby Wilkes (who shows up subtly in almost every book and has a bigger role in FALL INTO YOU). I can't wait to write the stories for these two. Dates are still floating around but Kade's story will be first, most likely in the Spring of 2014 and Colby's story will be in the fall. (And to see what celebrities I imagine for Kade and Colby inspiration, check out the bottom of my Ranch page.)

AND for those of you who may not be in the States or Canada, rights to CRASH INTO YOU and MELT INTO YOU have sold in the UK and CRASH has sold in France. Woot! So hopefully those editions will be on shelves in the next year or two. : )

Also, big cover news is on the way. I've been talking about it on Twitter, but I'm hoping to share the new covers with y'all in the next few weeks!

That's all for now! 

7 Things That Make the Chronic Finisher Put Down a Book

Tired Runner

Photo by Rennett Stowe

I spent the weekend in Vegas for my birthday and had a fabulous time. It was a short trip but a much needed mental break in the middle of my deadline hell. : ) But this also means I'm a back an older post. This problem I talk about in this post is ongoing for me as I find myself less and less forgiving of an opening that doesn't hook me. 

This year I'm doing the 50/50 Challenge (50 books and 50 movies in a year), and I've been doing decent on my pace--though I probably won't hit 50. But I definitely have put down at least ten books that I started and never went back to. So I'm updating this older post with this year's experience.

***

So up until about a year ago, I had this problem when I started reading a book. Once I peeled back the cover of one, I was compelled to finish it. No matter if I was fully enjoying the book or not. It felt like starting a book was like signing some contract. I bought this book. I've chosen to read it. And now I must read it all. I was the Chronic Finisher.

But then a lot changed in my life. I got a book deal and started writing on deadline. My then angelic two year old turned into an intense three year old. And my reading time shrunk to this minuscule sliver of time. So I found myself putting down books that didn't capture my interest. And then I wouldn't get any reading done because I felt like if I was going to read, I needed to finish whatever book I had started. But I wasn't into that book so didn't pick it up at all.

Well, finally, I came to the conclusion that I had to put the Chronic Finisher in rehab. I was missing out on good books by forcing myself to read ones I didn't love. My reading time is too short and my TBR pile too big to be doing that. So lately, I've been giving myself permission to give up on a book if it hasn't grabbed me by page 50 or so. (I know many of you are less forgiving than that, but three chapters or 50 pages feels about right for me. I give it a shot in case it's a slow starter.)

And each time I put down a book in the DNF (did not finish) pile, the writer in me wants to evaluate WHY I didn't feel compelled to finish it. What was bad enough to defeat the chronic finisher? Here's what I've discovered.

What Makes Even the Chronic Finisher Put Down a Book

 

1. Didn't connect with the characters

If I can't relate to the hero or heroine at all or if I don't like them, I find it next to impossible to get into the book. I must be emotionally connected by chapter 3 at the very latest. This is probably the most common reason I put a book down.

2. There was no chemistry or not enough build-up between the hero and heroine in a romance.

Obviously, I write sexy romance and enjoy reading it. But nothing will bore me quicker than throwing two people together when there hasn't been any tension or chemistry set up beforehand. This doesn't mean you can't have the characters get together quickly, but the author better have done a fabulous job building up that tension. (Liberating Lacey by Anne Calhoun comes to mind for a great example of how to do this right. The characters have a love scene very quickly, but the setup and chemistry are FABulous so it feels like the right time.)

3. This feels familiar...

Tired plots and clichés. Last year, this has happened most in the YA paranormal genre for me. If a book is going to have a girl meeting dangerous, mysterious new guy--there better be a helluva twist to make it different from all the other stories out there like that. 

4. The BIG secret is the only sense of tension in the book.

I am fine with a secret in a plot. That can be great. (And by secret, I don't mean twist we don't see coming. That's something different. I mean we, the readers, know there is a secret.) But what I will not put up with for long is a book that drags out revealing what the BIG secret is to the reader for no apparent reason but to pull you along. This is when characters keep almost revealing what the big, bad thing is, but then someone walks into the room and interrupts them. Gah! I'm much more a fan of where the reader may know the character's secret early on, but the hero or heroine is keeping it from another character for good reason.

5. Bad writing

I know I'm picky. I'm a writer so I'm going to see things now that I wouldn't have probably picked up when I was only a reader. For instance, an opening scene where the character is looking in a mirror and describing herself is cliche. Writer me groans. A reader may not care. Or if there is lots of telling and no showing, I'll get turned off by it. A few of these things here and there won't necessarily make me put down a book, but a consistent appearance of things like that will make me close the book. (And if it's exclamation points on every page, I'll close it regardless since it's a pet peeve of mine and usually indicates beginner writing.) With all the publishing options out there, I've grown a bit more careful and am reading sample pages. Because some books are edited and some you can tell are by a first time writer who let their Aunt Ruth "edit".

6. Nothing to get passionate about

This one is new for me and a little harder to define. I've started to read books that were...fine. The writing was good, the characters were interesting enough, there wasn't anything I could point to that was bad. BUT at the same time, when I put these books down, I didn't find myself thinking about the book or that desperate to get back to it. I didn't feel passionate about anything in the book. It's kind of a "I could take it or leave it" feeling. Like, if I had nothing better to do, I'd read it. In the past, these would've been books I'd make myself finish. Now I'm at the point that I just move on. The TBR pile is too big to waste time on something I'm ambivalent about. (This is also the one that drives me most crazy as a writer because I want to know WHY I'm ambivalent so that I don't make those mistakes in my own writing.)

7. *Yawn* Boring....

This one is obvious I'm sure, but I need a book to hook and excite me. If I'm at page fifty and I don't give a crap what happens, then you've bored me. You should have me by chapter one. If the book goes on and on with description and setting up characters and not giving me any true action or conflict, I'm bored. Maybe that's a result of our fast-moving culture, but it is what it is. A book is entertainment, so entertain me. Dance, monkey, dance. :)

All right, so those are my top reasons for putting down a book. What are some of yours? How long do you give a book to hook you? Are you a chronic finisher?